Study Abroad Summer Session MyYSS

Reading Modern Drama

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Course Number: 
S393
Department (unused): 
THST
Description: 
<p>In-person Course. This seminar reads illustrative texts of dramatic literature from the Anglo-European world in, roughly, the twentieth century and the two adjacent "turns of the century."&#160; We will read with an eye toward discovering the unique ways authors adjusted theatrical form, content, and event to new conditions of modernity.&#160; Our specific focus will be close-reading plays, looking at how playwrights create worlds through devices such as plot, characterization, imagery, etc., as well as through the conception of the audience/performer relationship; considerations of time, tempo, musicality; visual dramaturgy; non-linearity and repetition; coding and transcribing; and other dramaturgical devices that took on unique importance and new forms in the modern era.&#160; We will read one play a week, establishing its historical context and examining different approaches of playwriting and world-making.&#160;1 Credit. Session B: July 1 – August 2. Tuition: $5070.</p>
Instructor Name: 
Kimberly Jannarone
Subject Code (deprecated): 
THST
Subject Number (unused): 
THSTS393
Meeting Pattern (deprecated): 
MW 1.00-4.15
Term Code: 
202402
CRN: 
30936
Instructor UPI (unused): 
10476561
Session (deprecated): 
H5B
Distributional Designation (deprecated): 
LMIP
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Meeting Pattern (tax): 
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THST S393 (CRN: 30936)

In-person Course. This seminar reads illustrative texts of dramatic literature from the Anglo-European world in, roughly, the twentieth century and the two adjacent "turns of the century."  We will read with an eye toward discovering the unique ways authors adjusted theatrical form, content, and event to new conditions of modernity.  Our specific focus will be close-reading plays, looking at how playwrights create worlds through devices such as plot, characterization, imagery, etc., as well as through the conception of the audience/performer relationship; considerations of time, tempo, musicality; visual dramaturgy; non-linearity and repetition; coding and transcribing; and other dramaturgical devices that took on unique importance and new forms in the modern era.  We will read one play a week, establishing its historical context and examining different approaches of playwriting and world-making. 1 Credit. Session B: July 1 – August 2. Tuition: $5070. (View syllabus)


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